



Penso que Les Éphémères fala muito desse analfabetismo…e, ao mesmo tempo…penso que há nessa peça momentos onde se vê pessoas, personagens que não são analfabetos de sentimento…
Documentário: Ariane Mnouchkine e o Teatro de Soleil

I left Guatemala City at noon on Saturday and arrived in Heidelberg on Sunday. At La Aurora International Airport in the capital, only travelers were the building
I wore the mask my mother gave me when I left home last year. Flying has become increasingly uncomfortable and less appealing than it once was.
At the hotel, I took a shower, hoping to wash away a loneliness I felt in a long time. Shortly after, two women knocked and said, We need to clean your room.”
was closed because it was Sunday. The women, who like me were not native German speakers, suggested some bus routes so I could find to eat.
People smile as readily when eye contact as they do in Guatemala. My mind was still in Spanish, and a soft hola slipped out, only to be swept away by the fresh breeze.
I could hear the women next door finishing their cleaning, their voices muffled through the wall. Beyond that, there was complete silence.
It’s a lonely being in a place where you don’t know anyone yet. I still have to prepare my presentation, and back to Guatemala on Wednesday.






Chinautla is a small town north of Guatemala City, famous for its handmade pottery. It was a hot afternoon when we went there with hermano Marco and Veronica.







Meine Lehrerin hat immer gesagt: Nase hoch beim Übersetzen. Das heisst, man übersetzt nicht von links nach rechts, wie eine Raupe kriecht, sondern nachdem man sich den Satz angeeignet hat. Er muss nach innen genommen, ans Herz gelegt werden. Ich lese das Buch so oft, bis die Seiten Löcher kriegen. Im Grunde kann ich es auswendig. Dann kommt ein Tag, an dem ich plötzlich die Melodie des Textes höre.
Swetlana Geier, Die Frau mit den 5 Elefanten (Vadim Jendreyko, 2009)